Festered |
| Genre:Death MetalFormat:CDTracks:8 Label:Razorback RecordsYear:2009 |
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Regardless of what you think of Bill Nocera and Razorback Records, you gotta give them this much: when it comes to what talent to release, they are consistent with their tastes. Granted, quite a few of the releases from the past couple of years have been a bit incestuous (Hooded Menace, Vacant Coffin, Claws, Acid Witch, Horrific, etc.), but for the most part you can buy blind from Razorback and are almost guaranteed to have at least some idea with what to expect come each new release.
Like past recent Razorback acts, Festered returns a Razorback alumnus to the fold- Elektrokutioner of Decrepitaph and upcoming act Tombstones. However, Elektrokutioner is also joined by Goat from American long-distance dark death metal blasphemers Father Befouled, an act whose recent Incantation-loving album, EP, and split with Helcaraxë have been turning some heads amongst those in the underground.
The sound that Festered goes for is somewhere between these 2 madmen’s main projects: the music is a decidedly primitive mix of old Death, Autopsy, Massacre, a little bit of Nunslaughter, Master, newer acts like Gravehill, and I’d even argue some of Possessed’s less focused moments. Goat’s vocals are gloomly and garbled, resonating a vocal approach that goes more for the darker sound of Incantation or Convulse. The guitars are basic but thrashy, emulating that early 1985-89 primitive riffing mixed with the occasionally well-placed crushing slow part that later death/doom acts would expand upon and master. And Elektrokutioner’s drumming is straight-and-to-the-point: there are no frilly tricks or fancy overly technical wankery. The drum performance is solid and varied ranging from simple rhythm to pummeling speed, but ultimately a wham-bam-thank-you-mam matter designed to keep focus on that primordial death metal heritage.
Granted, everything on Flesh Perversion you’ve seen before. But that’s not what Festered (or the rest of Razorback for that matter) is about. This entire record and band are a celebration of one very specific, isolated tradition of metal, and they replicate it impeccably. Festered are here to teach your little brother what Scream Bloody Gore was about, and they plan to teach him well; let’s leave innovation to the newer bands like Ulcerate.
Infester
"To The Depths... In Degradation"
Flesh Consumed
"...Mutilate, Eviscerate, Decapitate..."
Artery Eruption & Inhuman Dissilency
"Festering Fuckhole Slop"
Festered
"Flesh Perversion"
Impetuous Ritual
"Relentless Execution of Ceremonial Excrescence"
Syphilic
"Symphony of Slit Throats"
Anaal Nathrakh
"In The Constellation Of The Black Widow"
Intestinal Disgorge
"Vagina"
Without Mercy
"Without Mercy"
Nile
"Those Whom The Gods Detest"
Portal
"Swarth"
Five Finger Death Punch
"War Is the Answer"
As You Drown
"Reflection"
The Black Dahlia Murder
"Deflorate"
Slayer
"World Painted Blood"
Hour Of Penance
"The Vile Conception"
Flayed Disciple
"Drawn Viscera"
Behemoth
"Evangelion"
Sickening Horror
"The Dead End Experiment"
The Ruins Of Beverast
"Foulest Semen of A Sheltered Elite"
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> “Granted, quite a few of the releases from the past couple of years have been a bit incestuous (HOODED MENACE, VACANT COFFIN, CLAWS, ACID WITCH, HORRIFIC, etc.)”
It’s the only incest I approve of, hahaha. Everyone’s enjoying themselves and the results are great.
yeah i’m all for the keep-it-simple-stupid approach, and certainly do agree with leavin innovation to somebody else, but damn… at least gotta make it feel like ya actually wanted to play the songs. it’s got that “well i guess we’ll go fuckin record a cd today” kinda vibe. in all fairness though it’s early in the morn and i haven’t been drinking at all
this album is excellent.
the sound reminds me of better days. primitive sound. done right.
the sound and production are very similar to nunslaughter, who have a cult following in my homeland colombia. this kind of death metal is still very popular down here.
Ah yes, Necro-Tron! Tell me how does it feel to bend over, and let the razorback executive officers shove their dicks in your cornhole? Yes this does have nostalgia value, but does it mean it is excellent….? NO! I would take the über primitive Scream Bloody Gore any day over this pile of imitated shit.
*tickle* *tickle*
What a pathetic attempt at 80’s Death Metal. So weak, so boring. Where’s the darkness? Where’s the malevolence?
There’s a difference between Razorback band’s and other label’s bands, like Nuclear War Now Prod. for example. Razorback bands try. Nuclear War Now bands are. The latter’s bands are convincing, true, and take what they do seriously. While the former are a bunch of try-hards and failures, with an added (and lame) cartoonish feel. FUNderground pussy shit.
“The latter’s bands are convincing, true, and take what they do seriously. While the former are a bunch of try-hards and failures, with an added (and lame) cartoonish feel. FUNderground pussy shit.”
Revisionist history is apparently your bag, I see. There are 2 problems: your insistence on “serious” and “true.” (I’ll give you the “convincing” because frankly that’s too damn subjective to even argue with) 80’s death metal was just as much about tongue-in-cheek humor and fun as Razorback’s bands are. Just how the fuck is Macabre or Nunslaughter serious? And let’s not forget our northern cousins: while the Swedish movement was more oriented around the 1990’s rather than the 80’s, they’re still a substantial part of later-era old school sound that Razorback pays homage to; those guys were renowned for being goof balls.
And the cartoonish feel? HELLLOOOOOOOOOO. You’re telling me a laughing, pointing skeleton (Scream Bloody Gore) ain’t cartoony? A televangelist gleefully slapping a cancer patient (Spiritual Healing, just barely missing the 80’s) ain’t cartoony? Multi-colored, Ghostbuster cartoon-reject demons swirling in a vortex (From Beyond, technically ‘91 but the material was firmly entrenched in the 80’s) ain’t cartoony? Both of Severed Survival’s covers look like they’re from a comic. Hate to break it to you, but it’s ALL pretty god damn cartoon-y.
Besides, NWN Prod is exmempt from being fun? Have you even remotely listened to Villians or Midnight? Yes, NWN Prod has acts that can be considered fun, too.
Second, with regards to “true,” me thinks you don’t exactly understand what the word means. It doesn’t mean “good” or “well-performed;” it means “authentic.” Obviously the most authentic something can be is something actually from that time period, so in the case of retro-acts we kinda have to give them a bone and just settle with having all the other prerequisite features. And Festered has every last damn one of those traits. So, as a matter of fact, Festered is true. However, this doesn’t mean they recreate the atmosphere well. A band can be true and not be good at what they do. You are getting “true” and “good” mixed up.
See, that’s what you should be focusing on. You think you are, but you’re focusing on things that have nothing to do with quality or are at best tenuously related.
And one last thing, Holocaust Trumpeter: since you were applying your argument to Razorback generally and not Festered specifically, let me just point out something.
See Claws, Hooded Menace, Vacant Coffin, and Acid Witch (who make up the bulk of the last two year’s label releases)? You ever look them up beyond deciding they weren’t “true” and were too cartoonish? If you did, you’d realize that they’re formed by the same Phlegethon (Fin) members. Yes, that’s right: a celebrated, old school death metal act formed in the 1980’s.
They’re not new kids coming to play old school death. They’re old school death guys putting out new music.
Yes, I know Lasse was in Phlegethon. Lasse only did vocals for Acid Witch. The other guys are young though but age isn’t a factor with me. Acid Witch was way too goofy for my liking and the songs were poorly written. A pathetic attempt at Doom. Hooded Menace were actually good, I’ll give you that. Claws and Vacant Coffin are boring.
Sure, Macabre were tongue in cheek but they were actually a good band. They wrote QUALITY music, and are unique. I can’t say the same for a lot of RR bands. I don’t see Nunslaughter as totally tongue in cheek and I’m sure they believe in a good portion of what they write. It’s not like I have a huge problem with tongue in cheek lyrics but even the actual music sounds like a parody when it comes to the majority of RR bands.
Severed Survival, From Beyond, Scream Bloody Gore, and Spiritual Healing weren’t extremely cartoonish to me. Those album covers actually look good. Although, Kam Lee himself hates the From Beyond album cover. RR album covers just look too silly for me to take seriously. As I said, like a parody.
I HARDLY see any goofball-ism in the Swedish scene.
You may have a point with Midnight and Villages but keep in mind, I’m not a label fanboy and I don’t listen to those bands. However, bands like Dead Congregation, Ares Kingdom, and a good amount of their bands take what they do seriously. Unlike a lot of these try-hard RR bands.
I could name some newer bands that have the same passion that the old bands did. Thus they are true. It has nothing to do with what year it came out. but with a lot of these RR bands, there’s no real passion or thought. They don’t take it seriously enough to be playing that kind of style. The violence and intensity just isn’t there.
I can see where you’re coming from then. I’d tend to disagree, but I understand what you’re saying.
Regarding the Swede’s goof balls tendencies, it’s not one that is readily apparent. Daniel Ekeroth gives some insight into it in his Swedish Death Metal tome. He thinks the death metaller’s sense of humor is one of the bigger dividing factors between Sweden’s black and death metal movements.
Your point completely fuckin’ lost any legs when you wrote, “I don’t see Nunslaughter as totally tongue in cheek and I’m sure they believe in a good portion of what they write.” Do ya think they believe in Sacrificial Zombies, chief?
So, you’re just into fashion? What a shocker, coming from someone arguing about the “true-ness” of something as trivial as a fucking album cover.
I know they don’t believe in zombies you dumbfuck but I’m convinced they mean what they say when it comes to their anti-christian songs. They’re probably not satanists, but I’m sure they’re against Christianity.
hahaha… why is it the only thing you comment on is the Razorback releases? Either you’re Billy goofing off or you clearly have a homosexual mancrush on him. He’s a handsome man, I can’t say that I blame you.
It certainly is easy and fun to push your buttons.
hard to take anybody seriously that just plays instruments and growls the scariest shit he can think of into a microphone. being taken seriously is for people with tiny weiners and validation complexes. “love me for my heavy metal art, grrrrr”
There’s obviously more to Death Metal than that you dumbfuck hipster!
Anyone who takes death metal seriously is a fucking homo.
I’m mixed on Razorback. I haven’t given this album a shot yet, so I can’t really say much about it, but the label has kind of disappointed me a bit lately. When they were putting out stuff like Trono des Huesos and Night of the Ultimate Mosh they were my absolute favourite label (obviously the classic Earache catelog is way better, but I’m talking about current labels). There was a good stretch of time where pretty much everything Razorback put out was pure gold. Then that weird episode with Maniac Neil, from what I understand, pissing everyone off and alienating all the bands happened and things haven’t really been the same. Razorback still puts out good stuff, like Vacant Coffin and Hooded Menace, but a lot of the other stuff I’ve heard from the label lately hasn’t done much for me. That being said, they signed Grave Ritual (who are fucking amazing). Hopefully this album will be good!
yeah i’m a full on hipster. every time i mention beer i really mean seagrams fruit breezers. do you have any idea how hard it is to type after two of’em?
The spooky horror theme diminishes the aggression in these releases. It’s really starting to get gay. Actually it’s ben gay. More violence, less horror!
actually it’s been gay. more shut-the-fuck-up, less ninnery! it’s fuckin razorback records people, a pretty fuckin specialized label for a bunch of metal gurus that don’t give a flamin bag of frogs’ asses what the fuck you think. ever seen the superbuff boar the label uses for its mascot? christ-a-mighty. diminishes aggression… hard to take serisouly… NO SHIT! drink beer, fuckin bang your head! these bands are just assholes that wail instruments, they aren’t really geniuses. holy jesus mother of the lord, please refer thyself to http://www.teufelstomb.com/blog/how-many-douche-bags-does-it-take/