Job For A Cowboy |
| Genre:Death MetalFormat:CDTracks:10 Label:Metal Blade RecordsYear:2009 |
Prior to receiving a promo copy of Job For A Cowboy’s sophomore full length offering, Ruination, I was completely unfamiliar with the band or their previous offering. The only thing I knew is these guys started off as a deathcore band and picked a really fucking stupid band name. That and the cover art for Ruination is extremely similar to that of Coldworker’s Rotting Paradise with a torso with a goat skull sitting on a throne with apocalyptic imagery around them.
If Job For A Cowboy were once a deathcore outfit, you wouldn’t know it listening to this effort. Ruination is 40 minutes of Vader, Decapitated, Nile and Morbid Angel-flavored death metal spread out over ten mid-to-slow-paced tracks.
The riffing on Ruination is pretty much straight forward Vader and Decapitated, played at half speed with half the technical proficiency. After giving the album several full listens it’s pretty obvious that the music of Vader plays an especially large influence for Job For A Cowboy. Despite a few Nile-worshiping riffs, and a couple of breakdowns, spread out here and there, the song structures are very similar to Vader’s late 90s outputs (especially Black To The Blind), only much slower in tempo.
The triggered-to-fuck drumming of Jon Rice only makes the Vader and Decapitated comparisons more evident. He’s nowhere near as fast nor technical as the late Doc or Vitek, but it’s pretty obvious these guys aren’t trying very hard to be an original death metal outfit. Add to all of that the vocals of Piotr Wiwczarek… no, sorry, make that Jonny Davy, and you have, in essence, exactly as I’ve described countless times already… Vader at half speed! Granted Jonny tosses in a few high pitched shrieks here and there, but for the most part he sticks the vocal staccato of Piotr pretty accurately.
To be honest, I always found the music of Vader to be among the most boring, predictable and unimaginative in death metal. After hearing Vader’s songs copied nearly note for note and played at half the speed with half the technical proficiency on Job For A Cowboy’s Ruination, I think I’ve uncovered the new band to hold the crown of “Most Unimaginative And Boring Death Metal Act.” Granted, Job For A Cowboy playing death metal is probably a lot better than Job For A Cowboy playing deathcore, but that doesn’t mean this album is any good, it just sucks less than it could have. I’ve listened to Ruination, beginning to end, on several occasions and after each listen I couldn’t tell you anything about the album that stood out to me. Not once did I feel compelled to bang my head, nor tap my foot. The songs are so unmemorable I can’t even remember any single song segment after the album stops.
Over the next few weeks reviews will pour in from major publications who will claim this is an “instant classic of modern death metal.” This is typical of major publications whose knowledge of extreme music is limited to a handful of albums released on the major metal labels. You should also take note of the size and number advertisements in their magazine. Magazines need advertising money to stay afloat, so they’re much more eager to suck up to the major labels when the major labels are pushing specific releases hard. They may consider lowering the amount of advertising next month if you say the album they’re pushing hard is boring, so, as always, the discs getting the big push always get the big scores, even if they’re totally undeserving of the praise and attention.
Believe me, I’ve been dropped from more promotional lists than anyone else covering extreme music. I’ve actually been added, and dropped, by Metal Blade Records no less than four times in the past 13 years! I don’t buy into the hype, I listen to the music and review it based on it’s own merits and really don’t care what the press release says or anyone else has to say about it. If it’s good, it’s good, if it sucks, it sucks. Period. Record labels really don’t like that attitude, it hurts album sales. It probably doesn’t help that I tend to question the band, the label, and their fans’, sexuality when an album is really terrible. In this instance, however, Job For A Cowboy aren’t “gay”, they’re just really unimaginative and boring.
I always encourage people to listen to the music rather than listening to the hype. There have been countless underground death metal releases far superior to this that won’t sell anywhere near as much simply because they aren’t getting the big label push that Job For A Cowboy are. These releases, while amazing, receive little to no media attention simply because they aren’t backed by a major label who have deep pockets to spend on magazine advertisements or get them added to bigger tours. Seek out these “underground” gems and avoid Ruination like the fucking plague. It’s really not worth the time, money or effort.
Infester
"To The Depths... In Degradation"
Flesh Consumed
"...Mutilate, Eviscerate, Decapitate..."
Artery Eruption & Inhuman Dissilency
"Festering Fuckhole Slop"
Festered
"Flesh Perversion"
Impetuous Ritual
"Relentless Execution of Ceremonial Excrescence"
Syphilic
"Symphony of Slit Throats"
Anaal Nathrakh
"In The Constellation Of The Black Widow"
Intestinal Disgorge
"Vagina"
Without Mercy
"Without Mercy"
Nile
"Those Whom The Gods Detest"
Portal
"Swarth"
Five Finger Death Punch
"War Is the Answer"
As You Drown
"Reflection"
The Black Dahlia Murder
"Deflorate"
Slayer
"World Painted Blood"
Hour Of Penance
"The Vile Conception"
Flayed Disciple
"Drawn Viscera"
Behemoth
"Evangelion"
Sickening Horror
"The Dead End Experiment"
The Ruins Of Beverast
"Foulest Semen of A Sheltered Elite"
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So I listened to some of this album on the band’s myspace page. It’s not horrible, but I’m also not sure what all the hype seems to be about.
i just checked it on youtube, and this music seems like that uppity homeboy, who is all up in your face flailing his arms and pulling gang signs, all while youare just standing there watching him with your arms folded…. not impressed.
actually i think i wanna hit him.
Very good review and what an exellent explanation of Mainstream & Underground releases just very true and honest the way I like it.
Genesis was a big jump from Doom but its still pretty unoriginal, its just background noise when silence s is not appealing.
I listened to the album stream. I found meself thinking throughout, “Hey, I hear a foghorn: BOOOR-RRRRRING!”
So, Job For A Bumboy went from playing shitty deathcore to playing Vader-lite uninspiring death metal. In my book, that’s no improvement. It’s all commercialised crap. Boo.
I saw this band in Arizona when they were wearing emo pants with scene hair before they were on MB…Haha not fooling me. This is indeed boring uninspired bad death metal, for kids who think they know what they are talking about.
Yeah- this was sooooo dull. Ill be giving it a very similar review. The As You Drown, released tomorrow on Metal blade blows this away.
Very few young bands are recording Death Metal with any personality or feeling and these guys are no exception. At least if I absolutely hated the music I could say “well, hey maybe they are really on to something here and I just don’t get it yet.”.
This band should just change their name to BlowJob for a Gayboy Job.
This band should just change their name to BlowJob for a Gayboy, there I corrected that.
….good one
The last 3 paragraphs of this review are truth. I haven’t bothered listening to any of this except maybe 30 seconds of the song they put online. That’s all I care to hear also.
Excellent review, nailed it to the head!
Great review.
this was a very well written review. just thought id throw that out there
FUCK OFF DEATH CORE SHIT!!!
It was quite obvious that judging from their last release that they would continue to do nothing of actual value and just rape their influences with minimal to no emotion at all. It’s modern garbage like this that just makes me wish I had a time machine and could go live in the ’80s and ’90s for death metal.
These days, the major labels (Metal Blade, Relapse, Century Media, Nuclear Blast) are looking for nothing more than their next payday, while much smaller labels that only sign what they would actually want to listen to (Razorback, Last House On The Left, Sevared, etc.) continuously put out material that makes major releases look as if they were played with Fisher Price instruments and production.
Well said. But the label is actually called Last House On The Right.
I belive it was Sarcofago’s Wagner Antichrist who said: “If you are a false, don’t entry.” Sure as hell, there’s no entry for anyone who swears by all this commercialised crap that’s spoon-fed to them by the big labels.
Shit! Why the hell do I always think it’s Last House On The Left???
Regardless, this shit still sucks and will continue to suck.
Maybe you’re thinking about that old horror movie…
And yes, like Mastodon, this band is overrated shite.
Yawn. Couldn’t even make it through the whole record.
I agree with you guys, Ruination blows chode.
What the Shit is chode
I always thought it was the taint (space between the balls and asshole), but kids nowadays seem to have changed the definition in recent years to mean a short fat dick. Either way, this album blows somewhere in the dick/ball/ass region.
It’s Teufel’s favorite meal.
This band is completely worthless just like the majority of metal from this decade.
“Job For A Cowboy aren’t “gay”,”
ONLY A FAGGOT WOULD SAY THAT.
You know, reviews like this one keep me away from shit-fuckn’ bands like these douche-bags, and I think I found a spot for them, RIGHT UNDER MY NUT SAC !
Ha, HA !
Get a load of this, my friend has known the singer for years, ever since they were about 7 years old. Well anyways his mom forced him into sunday school like a lot of parents do to keep their young’uns out of trouble. Anyhoo, while he was there he did end up getting molested over a period of a few months. That happened when he was about twelve years old, but here’s where it gets weird… Ever since the priest put his fingers inside him, the poor kid has been flamboyantly queer, and I mean bad. An extremely overt custard arse, he might as well sing his name when he introduces himself to you. I guess his grandmother was dying of A.L.S. and he even skipped out on her birthday, apparently, to attend some shit dick sex toy party with some mexican fairy he met while on vacation. Up until this point you probably believed this whole story which just proves it is totally plausible that this band is full of faggots.