Teufel's Tomb » Album Reviews » Six Feet Under “Death Rituals”
Album Reviews
Six Feet Under “Death Rituals”

Six Feet Under
Death Rituals

Genre:Death MetalFormat:CDTracks:13
Label:Metal Blade RecordsYear:2008

When they first burst onto the scene with 1995’s Haunted Six Feet Under were an old school, down tuned, simplistic death metal act. The band was basically a side project of Obituary’s Allen West, Massacre’s Terry Butler and Cannibal Corpse’s Chris Barnes and the music they played is exactly what you’d expect from those three musicians. They weren’t out to re-invent the genre, they were just having fun playing catchy, albeit very simple, death metal.

Following the departure of Allen West in 1998 the band morphed into a death n’ roll act that simply continued to embarrass themselves with terrible release after terrible release, including the horrible musical abominations dubbed Graveyard Classics (the musical equivalent of having a naked herpes-infested hobo farting on your uncovered cock) and the “What the fuck?”-inducing "One Bullet Left" featuring Ice-T on True Carnage. Six Feet Under’s last full length offering, 2007’s Commandment, was an improvement over the band’s material that plagued the rest of the decade but still failed to live up to their earliest work.

2008’s Death Rituals, quite honestly, surprises the fuck out of me! It seems like Chris Barnes and company have finally started reading my memos on how to improve their musical output. Death Rituals isn’t a “re-invention”, the band is simply taking their musical sound all the way back to the very beginning. Rather than plopping down a steaming pile of death n’ roll riffs, Death Rituals is filled with simple down tuned Obituary and Bolt Thrower-styled bass heavy chugging riffs.

My main complaint with 2007’s Commandment was the vocal cadence didn’t flow with the music at all, the material itself was okay, but Barnes would just bark randomly, whether it was in tune with the material or not. He still has that problem at times on Death Rituals but, for the most part, he growls along with the music, which actually makes the music a lot more bearable.

I’m actually pretty shocked that, other than the predictably shitty cover of Motley Crue’s Bastard (it sucks, but sounds more like Six Feet Under’s cover of Judas Priest’s "Grinder", than the steaming piles of shit their cover albums were), Death Rituals is actually not a bad album. I’m surprised to find my toe tapping and head nodding while listening to a few of the tracks. Standout tracks include "Involuntary Movement Of Dead Flesh", "Seed Of Filth" and "Ten Deadly Plagues", although a few other tracks are pretty solid too and have a very strong Haunted and Alive And Dead sound to them.

Six Feet Under have finally returned to playing a style of music that suits their abilities the best and, for the first time in 12 years they’ve recorded an album fans don’t have to be ashamed about enjoying. If you thought Haunted sucked, you’ll hate Death Rituals, but the average fan of simplistic death metal should find something of value from this release. This won’t stay in my stereo for long, but while it’s in there I’m not hating it. It’s refreshing to hear something from Six Feet Under that doesn’t suck. I like it. Wait, did I just say that out loud? Am I high? Oh, wait, I am… but this album is still better than I expected.

This Album Is...
Worthwhile
A Solid Effort! Worth A Listen!
Review byTeufel
COMMENTS (11)
  1. Shawn wrote:
    November 12, 2008 at 8:38 pm

    Chris Barnes flat out ignores any sort of vocal cadance. He started that with Butchered at Birth and continues it to this day. So this is SFU’s Death Magnetic.

  2. Dave wrote:
    November 12, 2008 at 9:46 pm

    Bwahahaha

  3. Xlip wrote:
    November 13, 2008 at 1:24 am

    I really dig this one and “Commandments” was catchy as fuck too,
    i love what they do, fuck all technical shit, when they get their
    groove going it really works well!

  4. Don Roberts wrote:
    November 13, 2008 at 8:13 am

    Chris Barnes and Glen Benton have become a parodies of themselves..I’m a huge fan of what they did in the first ten years of their careers but they’ve gone downhill ever since..as Chris and Glen both push 42 years old, they both sound like they are being gagged with dirty dishrags..what amazes me is that they both stated that they don’t even like or listen to death metal!!! so why be involved in it? oh yeah..to make money to buy more weed

  5. Teufel wrote:
    November 13, 2008 at 10:13 am

    Chris Barnes still does that weird shakey thing with his voice when he does his squeals, like he’s farting and having a seizure at the same time.

  6. doctor gore wrote:
    November 13, 2008 at 6:14 pm

    chris barnes reminds me of phillip anselmo for some reason…

  7. thegrindingmetalhead wrote:
    November 14, 2008 at 7:22 pm

    This actually sounds decent

  8. Don wrote:
    November 15, 2008 at 1:38 pm

    is it just me or does their new song Eulogy For The Undead have a main riff that was lifted straight from the song Fallen ( Angel Son) off the latest Grave album? plagiarism or coincidental?

  9. Wolfy Danger wrote:
    November 16, 2008 at 1:08 am

    Glad to see you liked it too, I was shocked as hell when I got my promo copy.

  10. Daniel wrote:
    November 17, 2008 at 5:36 pm

    Well that review didn’t go as expected…

  11. Harold wrote:
    January 5, 2009 at 9:34 pm

    The primary thing that was going through my head during the entirety of Death Rituals was how truly pathetic a vocalist Chris Barnes really is; this is easily the worst vocal performance I’ve ever heard on a death metal album, bar none. These vocals make Lord Worm’s tired showing on Cryptopsy’s Once Was Not sound like the dude from Pagan’s Mind by comparison. Even in the man’s “glory” days in Cannibal Corpse Barnes was never capable of anything more than a one-dimensional, unaggressive grunt, which makes it all the more amazing that he’s actually managed to get this much worse since then. Barne’s choked, indistinct barks are almost hilariously inadequate. He frequently lags behind the music’s tempo, sounds like he’s going to fucking suffocate if he doesn’t catch his breath at times, and occasionally breaks away from the growling to throw in this random garbled screech that had me pissing myself with laughter. The production keeps him mercifully buried, but even low in the mix Barnes turns in a positively embarassing performance, and it was enough to make me want to toss this album and never consider listening to it again.

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